The Fisher Stars, painting courtesy of Edwin Bighetti, Mathais Colomb First Nation

Wesakaychak Pointing - courtesy of Edwin Bighetti, Mathais Colomb First Nation

In March 2010, I was invited to be the keynote speaker at the Manitoba First Nations Education Resource Centre’s annual Science and [...]]]>

Red Willow Dreamcatcher with Big Dipper and Milky Way

The Fisher Stars, painting courtesy of Edwin Bighetti, Mathais Colomb First Nation

Wesakaychak Pointing - courtesy of Edwin Bighetti, Mathais Colomb First Nation

In March 2010, I was invited to be the keynote speaker at the Manitoba First Nations Education Resource Centre’s annual Science and Career Fair. Two participating schools from the Nisichawayasihk Cree Nation in Nelson House, Manitoba invited me to visit their community. So in November 2010 I spent two days with the students, teachers at the K-8th grade Otetiskiwin Kiskinwamahtowekamik School, and the 9-12th grade Nisichawayasihk Neyo Ohtinwak Collegiate.

After a day of school presentations in early November, I was invited to a community gathering of shared songs, the music of flute, hand and water drums, and stories from several storytellers. Joe Mercredi, a school cultural coordinator and a wonderful storyteller told several stories, after he played the flute – a six-hole flute made of mountain juniper by Navajo flute maker Jonah Thompson. Joe makes flutes, too, but he chose this one for this night because “it has a sweeter voice than his own,” he told me recently. Joe also helped me remember the stories he told that night two months ago. He told me that all stories are related to each other. How we remember them depends on what we need to learn at the time.

His first story is a variation of the Dakota Woodpecker Flute story. A poor young boy with no male relatives lived with his mother. He was friends with the chief’s daughter. They were good friends and spent much time together. When of age, he asked the chief for her hand. The chief questioned his ability to support his daughter. He was mortified and left the camp. After some days he fell asleep under an old cedar tree and was woken up by a woodpecker up in the tree. This being in the time when animals could speak to men, a conversation ensued and the young man was gifted with the first flute. In the end the two become a couple and the young man found fame and fortune as a flute maker. This story can be found in one of the Joseph Bruchac series “Keepers of the Earth/Sky/Night/Life” books.

Joe then held his Dreamcatcher, and told this story. Red Willow Woman was a woman who taught the children in her community until her death, and, when given the choice by the Great Mystery to be returned to her people, she chose to return as a red willow to demonstrate that every one has the ability to achieve greatness if one reaches beyond one’s limits. Red willow forms the frame of the Dreamcatcher.

You can see the big dipper stars (or Fisher stars) on the right side of the woven web within the red willow frame. And you can see a chaotic jumble of stars on the left. The legend of how Fisher became the Big Dipper and how animals of long ago decided to share summer and winter, and how the fisher came to be in the northern sky is told by Murdo Scribe, and is known as Murdo’s Story.

Long ago, in one part of the animal world and bird world it was always summer and in the other half of the world it was very cold with no warm weather. The northern animals and birds had to find summer. Fisher (a small wolverine) carried summer, and the summer animals chased him. They shot at him and an arrow hit Fisher and took him to the northern skies, with the summer. Fisher still lives in the northern sky, and summer is now shared with all animals and birds everywhere. Fisher can be found circling the North Star. Some people call him the big dipper.

The Dreamcatcher is formed from two willow branches depicting strength and softness intertwined — the need for give-and-take in a respectful loving relationship. Joe decided to map the Big and Little Dippers in the Dreamcatcher. But just like in the Wisakechak story of the Milky Way, he mapped the big dipper, but the trickster, Wisakechak decided to mess up some of the stars. You can see an extra star in the big dipper.

Legend tells that Wisakechak was meticulous in his placement of the stars, but Fox wanted Wisakechak to play with him, and got tired of waiting for him to finish so he grabbed the blanket of stars and scattered them all over the place. Those stars represent the Milky Way. If you look in the winter sky you will see Wisakechak (sometimes spelled Wesakaychak and many other ways, too) pointing to the Pleaides, which figure in many other legends. Wisakechak is represented by the constellation Orion.

You can see the big dipper stars in the web of the Dreamcatcher. The handle star, Alkaid is near the top of the Dreamcatcher , and you can see the bowl stars at 3 o’clock. There is one “extra” star woven into the web near the bowl, put there by the trickster, Wisakechak. And you also see the other stars from the blanket of stars Fox threw into the sky on the left side of the Dreamcatcher below the center hole. You’ll also see the thirteen tie-points, where the sinew is tied to the willow hoop. These thirteen ties represent the 13 new moons of a year.

After Joe finished his stories of Red Willow Woman, Wisakechak, the Fisher stars, and the Milky Way, he walked over to me and gave me his Dreamcatcher. As I look at my Dreamcatcher now, three months after my visit, I can still hear the drums, the flute and the stories of the stars I heard in Nelson House that snowy November night. Now, when I read Murdo’s Story I can see how all of these stories are related.

Murdo Scribe was born in Norway House, Manitoba and was a World War II veteran with the Canadian Army. After the war he returned to a life of fishing, trapping and seasonal work. In 1975, he was appointed coordinator of the Traditional Individualized Education Program with the Native Education Branch of the Manitoba Department of Education. He wrote many stories based on his own experiences and those of the elders he had known.

I thank Joe Mercredi, who is a master storyteller, maker of flutes, weaver of dreamcatchers for sharing these stories with me. I must also thank science educator Wilfred Buck, of the Manitoba First Nations Education Resource Centre, who I met two years ago at the NYAA (Ontario) Starfest when he gave a talk about Atchakosuk: The Spirit Lights Up Above . I have been slowly learning more about the spirit lights above. Two years ago, Wilfred ended his presentation with a quote from one elder, “We are blessed to live under a blanket of stars.”

I will do the same.

Before - 13.1-inch f/4.5 Coulter Odyssey 1

After - - note the original blue ground board

Update: A colleague at work had a telescope he wanted to give away. I advertised it and found someone who wanted it. Here’s a before and after image. The telescope has been reincarnated as you [...]]]> Updated 1/1/2012

Before - 13.1-inch f/4.5 Coulter Odyssey 1

After - - note the original blue ground board

Update: A colleague at work had a telescope he wanted to give away. I advertised it and found someone who wanted it. Here’s a before and after image. The telescope has been reincarnated as you can see from the second picture, which was taken December 31, 2011 at our Old town Monrovia sidewalk astronomy event.

Original post: Jane says “this is a classic blue-tube Coulter 13.1 inch f/4.5 reflector.” It has a nice short 5-foot tube, so you won’t even need a ladder. You’ll need some storage room for this telescope, and I’m not gonna lie to you, this is one heavy telescope. You can learn a little bit about this classic Coulter scope here. When Steve sent me this pictures this morning, it took me on this trip down memory lane.

See the red tubed 17.5-incher on this page? My sleek 17.5 inch Litebox reflector started out as a big red 300 pound 17.5-inch f/4.5 Coulter Odyssey II, owned by a Stanford professor, who had died. His wife called John Dobson to find out how how she could get it into the hands of a sidewalk astronomer. John and I drove down the peninsula to see it and give her some advice on a price. I brought my checkbook, just in case. John crawled into the storage shed, past the cobwebs, over the lawn furniture and under the christmas tree and exclaimed out to me “I think it is one of ours.”

I bought it on the spot for $400.00 and have used it now for almost 15 years.

The prof used to haul this behemoth to his ranch in a red El Dorado. I imagine that sight — that huge red telescope in the back of that red El Dorado — rolling down the freeway towards the Sierra foothills, every time I use the scope. I had to rent a panel truck to get it home to Marin County, and to take it to its first light star party on Mt. Tamalpais in Marin County many years ago. I remember my first look through that big, red ugly duckling of a telescope. The Swan Nebula. It was spectacular! That 17.5 inch mirror is now in my 17.5 inch Litebox truss tube reflector, and I take out to the desert or to the national parks every single month. The big red sonotube and hefty black particleboard mount have long since met their maker, literally. Bless Coulter Telescope’s Jim Bragington of Idylwild, CA for making mass-produced large telescopes back in the 1980′s.

Here’s what Steve has to say about the scope. I elaborated a little once I saw the pictures. It is truly “one of ours”, as John Dobson said so many years ago. It screams “take me out to the sidewalk.”

It’s a Dobson design Coulter “Odyssey I” reflecting telescope, 13.1″ f/4.5 mirror, with Celestron finder scope and three eyepieces, approx 25 years old. Dobsons are great for “deep sky” objects like nebula and galaxies. Body is plywood with concrete-form tube (heavy cardboard sonotube), total length approx 5′. Base is plywood/particle board, has Teflon elevation bearings, azimuth bearing probably Teflon but I’m not sure. Base and body are in fair to good shape, base has been repaired. Primary mirror glass in in very good condition, approx. 1 1/2″ center thickness, with coating in fair to good shape (minor and small imperfections, shown in photographs). Eyepieces are marked H, M and L, all in good shape.